![]() But it was essential to see the lions in the wild, so the creative team traveled to Kenya to observe and take some photos - actually more than 12 terabytes worth of images. And the focus was on making the animals as familiar-looking as they would be in nature.įor reference, the filmmakers visited Disney’s Animal Kingdom in Orlando, Fla., where the animal science department let them observe and record some creatures. All of “The Lion King” was digitally created, save one shot that the filmmakers refused to divulge. But unlike “The Jungle Book,” there are no humans to draw away the eye. ![]() The film’s director, Jon Favreau, worked with the effects company MPC Film, which also helped bring the animals of the filmmaker’s previous movie, “The Jungle Book” (2016), to photorealistic life. ![]() ![]() All the hairs on the cub’s body, the detailed color patterns of his fur and the movement of his little legs through the savanna were the efforts of a Pride Rock-size army of visual effects artists. ![]() While young Simba was working on his roar in the new “Lion King,” his designers and animators were laboring over a good deal more. ![]()
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